AURORA6,000+ producers trust Aurora

A free dynamic EQ
that shows its work.

Aurora 1.5 with a Deresonate suggestion: seven bands previewed dashed on the curve, marked "Preview, not applied", and the Smart Ops panel waiting for Apply
Aurora 1.5 · rendered from the native plugin

Up to 24 bands on a live spectrum. Smart Ops previews every move on the curve before it touches your mix, and Revert never takes your own edits with it.

What's new in 1.6 →
  • VST3 · CLAP · AU · LV2
  • Windows · macOS · Linux
  • No account
  • No license key
New in 1.5

Aurora 1.5, step by step.

Rendered from the plugin itself, state by state. Pick a flow and step through it.

Smart Ops shows the move before it makes it.

Step 1 of 3

Learn listens while you play. The button counts the seconds heard; pauses don't count.

Smart Ops learning: the Learn button reads Stop · 2.8 s and the status says the spectrum is still changing.Smart Ops learning: the Learn button reads Stop · 2.8 s and the status says the spectrum is still changing.
Compare

Comparisons you can trust.

Louder always sounds better. Aurora takes that out of the decision.

The Aurora editor with Auto gain on at −0.6 dB, the A/B slots and undo in the header, Delta in the analyzer bar, and Listen and Bypass on the selected band.
  1. A/B, undo, redo

    Two settings side by side, copy one to the other, and step back and forth through every edit.

  2. Delta

    Hear only what the EQ changes: the output minus the latency-aligned original.

  3. Listen and Bypass per band

    Solo one band's region, or take one band out, without touching the rest.

  4. Auto gain

    Bypass, A/B and presets compare at equal loudness, so the better setting wins — not the louder one.

Also in Aurora

Precise where it counts.

  • The Dynamics page of band 2: Dynamic EQ on, a live gain change of −5.7 dB, threshold −30 dB, range −6 dB, ratio 4:1.

    Dynamic EQ

    Tame a resonant snare only on the hits: threshold, range, ratio and timing per band, with its live gain change in view.

  • Mid/side mode: the analyzer split into a mid and a violet side trace under the EQ curve.

    Mid/side

    Clean up the sides without touching a mono kick: the analyzer splits into mid and side, and any band can sit on either.

  • The Analyzer menu with Update speed and Frequency precision, open over the live spectrum.

    A precise analyzer

    See the low end in detail: frequency precision up to an 8192-point FFT, at the update speed you choose.

The full specification

Everything in the build

The curve

  • Up to 24 bands — add one with a double-click
  • 8 shapes: bell, shelves, cuts, notch, band-pass, all-pass
  • Cut slopes 6 → 96 dB/oct plus a vertical Brickwall
  • Drag to move, scroll for Q · live analyzer under the curve

Smart Ops

  • Match a reference, de-resonate, de-ess, auto high-/low-cut, unmask
  • Learn as long as you play — at least 2 seconds
  • Every suggestion previewed on the graph before it applies
  • Apply and Revert are one undo step each; your edits are kept

Dynamics & unmasking

  • Any band flips static → dynamic
  • Threshold, range, ratio · attack, hold, release · knee
  • Track or sidechain detector · Peak/RMS · global lookahead
  • De-Harsh — tames harshness spectrally, only when it bites

Compare

  • A/B slots with copy · undo and redo
  • Auto gain — comparisons at equal loudness
  • Delta — hear exactly what the EQ changes
  • Bypass and Listen per band

Instances & presets

  • Every Aurora in the project, in one window
  • Curves overlaid · compare side by side
  • 41 factory presets in nine folders
  • Analyzer up to an 8192-point FFT

Phase, stereo & character

  • Zero-latency · analog-matched Natural · Linear phase
  • Stereo, Mid-Side or Left-Right — analyzer splits to match
  • Per-band placement: stereo, L, R, M or S
  • Clean · Subtle · Warm analog character

Requirements

What it needs to run
Operating system
Windows 10/11 (x86_64) · macOS 11+ (Apple Silicon & Intel (universal)) · Linux · glibc 2.35+ (x86_64)
CPU
Modern 64-bit CPU — Apple Silicon, Intel or AMD
Memory
4 GB RAM minimum · 8 GB recommended
Plug-in host
64-bit DAW supporting one of the plugin formats offered for its platform
Formats
Windows: VST3 / CLAP · macOS: VST3 / AU / CLAP · Linux: VST3 / CLAP / LV2
Latency
Zero in Zero-latency / Natural · reported PDC in Linear
Sample rates
44.1–192 kHz
Disk
macOS: about 45 MB for all formats
Authorization
Free — no license key · works offline
The whole plugin

Everything. Nothing to pay.

There is no paid tier, no unlock, no upsell inside AURORA. What you download is the shipping build with every feature switched on — the same file we use ourselves.

  • The full plugin — no trial limits, no feature gates
  • Smart Ops — match, de-resonate, de-ess & unmask
  • Windows · macOS · Linux · VST3 · CLAP · AU · LV2
  • Lifetime updates — no subscription, no account
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Release notes

Every version, in the open
1.6.1Published Oct 5, 2026Linux · Windows · macOS

An urgent fix, thanks to a user who sent a screen recording. Please update.

  • Changing the slope of a Low Cut or High Cut no longer causes loud peaks. Switching the slope while your track played, for example from 24 to 30 dB/oct, could make Aurora's output jump to far above the level of your music for a moment. We measured peaks up to +25 dBFS from a signal at -12 dBFS, loud enough to hurt speakers and ears. Aurora 1.5 behaved the same way. Now the new slope fades in smoothly once it is ready, a fraction of a second after you pick it.
  • Other changes during playback are smooth now, too. The same kind of jump could happen, less strongly, when you:
  • changed a band's filter type or its stereo placement (Stereo, Left, Right, Mid, Side);
  • switched between Zero Latency or Natural Phase and Linear Phase;
  • changed a frequency in one big step, for example by typing a value, loading a preset or switching A/B;
  • changed the Character setting (Clean, Subtle, Warm), also through a preset or A/B.

All of these now fade over to the new setting. Switching a band on or off fades too.

  • Full screen opens in front of FL Studio's plug-in window. On a Mac, the full-screen spectrum could open behind FL Studio's floating plug-in window. It now opens in front.
  • Safety net. If a broken value ever arrives from the host or appears inside Aurora, it is silenced instead of being passed on, and Aurora carries on playing normally.

Good to know: Some changes take effect a moment after you make them, because Aurora lets the new setting settle before it fades it in. That is usually a few hundredths of a second, and up to about a second for a Brickwall cut at a very low frequency.

Your sound doesn't change: with settings that stay as they are, Aurora 1.6.1 sounds exactly like 1.6.0. Projects and presets load unchanged.

New to 1.6? See what's new: https://13x.audio/products/aurora/1.6

macOS: universal VST3, AU and CLAP, Developer ID signed and Apple notarized. Windows: 64-bit VST3 and CLAP in a zip, with Install Aurora.cmd. Linux: x86_64 VST3, CLAP and LV2 in a .tar.gz with a per-user install script; glibc 2.35 or later.

1.6.0Published Oct 4, 2026Windows · macOS · Linux

Fixes and features from your feedback. Thank you!

Screenshots and short how-tos for every new feature: [What's new in 1.6](https://13x.audio/products/aurora/1.6).

  • New file names: "13x Aurora". Our files no longer share their name with iZotope's Aurora reverb, so installing one can't replace the other. Projects and presets open unchanged. Updating? Afterwards, remove the old 13x Audio "Aurora" files. "Install Aurora.cmd" (Windows) and install.sh (Linux) do it safely, and never touch anyone else's files. On macOS, Aurora points you to the old file.
  • Themes. Graphite, Midnight, Ember or Studio Light, from the gear menu.
  • Full-screen spectrum. The analyzer and EQ curve fill your screen, fully editable.
  • A real Slope control on cuts. On Low Cut and High Cut bands, the band editor's Q is now Slope (6–96 dB/oct, Brickwall), in sync with the mouse wheel and undo/automation. Gain is dimmed on types that ignore it. The shelf buttons show the right shapes.
  • Menus stay put. On Windows with display scaling, menus and the Save preset dialog could open far from the plug-in and ignore clicks. They now open inside Aurora's window.
  • Sidechain on Linux. The LV2 version now offers its sidechain (Ardour), and an unconnected sidechain no longer crashes it. The manual shows the routing per DAW.
  • Dynamic EQ that acts from the first click. Switch it on while the track plays and the Threshold starts just under what the band hears. The Dynamics page shows the band's level against the Threshold and says when it doesn't reach it.
  • Dynamic in the right-click menu. Switch a band's dynamics right from its node.
  • De-harsh Delta. Hear only what De-harsh removes. Never saved, and it switches itself off when you close Aurora or stop playback.
  • Smart double-click. The graph creates a Low Cut, Low Shelf, Bell, High Shelf or High Cut depending on where you click. Shift + double-click always makes a Bell, and you can turn this off in the gear menu.
  • Manual with tutorials. Four step-by-step tutorials for the new features, plus sidechain routing per DAW (40 pages).

Your sound doesn't change: 1.5.1 projects and presets load and play back identically.

Manual install note: the files are now named 13x Aurora.vst3, 13x Aurora.component (macOS), 13x Aurora.clap and 13x-aurora.lv2 (Linux). If you copy them by hand, delete the old 13x Audio Aurora.vst3 / .component / .clap / .lv2. Ours are the ones whose bundle ID is audio.13x.aurora; leave iZotope's Aurora alone.

macOS: universal VST3, AU and CLAP, Developer ID signed and Apple notarized. Windows: 64-bit VST3 and CLAP in a zip, with Install Aurora.cmd. Linux: x86_64 VST3, CLAP and LV2 in a .tar.gz with a per-user install script; glibc 2.35 or later.

1.5.1Published Sep 30, 2026Windows · macOS · Linux

Two workflow features from user feedback. Thank you!

  • Lock a node to one axis. Shift-drag a node to change only its frequency or only its gain; the other value stays exactly where it was.
  • Solo a band while you hold. Alt-press (Option on a Mac) or middle-press a node to hear just that band; let go and the mix is back. Drag while you hold to sweep. Prefer the 1.5 toggle? Gear menu > Band solo > Latching.
  • Listen without clicks. Listen now fades in and out, and the mix comes back exactly as it was, in Linear Phase too.
  • Fixes. Nodes no longer jump when you start a drag off-centre, and two quick Alt-clicks no longer delete a band.

Your sound doesn't change: 1.5 projects and presets load and play back identically. Close your DAW, replace the old plugin files with the new ones, then rescan your plugins.

macOS: universal VST3, AU and CLAP, Developer ID signed and Apple notarized. Windows: 64-bit VST3 and CLAP in a zip. Linux: x86_64 VST3, CLAP and LV2 in a .tar.gz with a per-user install script; glibc 2.35 or later.

1.5.0Published Sep 29, 2026macOS · Windows · Linux

Aurora 1.5 turns Smart Ops into a guided workflow you can always take back, brings every Aurora in your project into one window, and makes comparisons fair.

  • Smart Ops, step by step. Operation, range, learn, review, apply: the panel numbers the steps and marks the one to act on. Every suggestion is previewed dashed on the graph before anything changes, and Apply is one undo step.
  • Learn as long as you play. Start learning, play the passage, then stop — or just stop playback. Pauses don't count, at least two seconds are needed, and the status says when the spectrum has settled. (1.4 always listened for exactly one second.)
  • Revert that keeps your work. Revert takes back only what Smart Ops changed and you haven't touched; a band you edited stays whole. Restore before Apply lists every change it would discard first.
  • Instances. Every Aurora in the project, in one window: edit another instance from here, lay its curve over yours, or compare all of them side by side. In FL Studio the VST3 and CLAP versions take the mixer track's name and colour.
  • Fair comparisons. A/B slots with copy, undo and redo, bypass per band, Delta to hear exactly what the EQ changes, and Auto gain so Bypass, A/B and presets compare at equal loudness.
  • Dynamics page. The selected band's live gain change — or why it can't act — next to its level and timing controls, the knee and the global lookahead with the latency it adds.
  • A precise analyzer. Update speed and frequency precision up to an 8192-point FFT, calm highs at the finest settings.
  • A clearer editor. FL Studio's band colours, one cue per band state, and 41 factory presets in nine folders.

Existing projects, presets and automation load unchanged; new parameters are off by default, so older sessions sound the same. Close your DAW, replace the old plugin files with the new ones, then rescan your plugins.

macOS: universal VST3, AU and CLAP, Developer ID signed and Apple notarized. Windows: 64-bit VST3 and CLAP in a zip. Linux: x86_64 VST3, CLAP and LV2 in a .tar.gz with a per-user install script; glibc 2.35 or later.

Questions

Is AURORA really free?

Yes — the full plugin, no license key, no account, no trial limit and no feature gates. It is not a lite edition of a paid product and there is nothing to unlock inside it.

Will it run in my DAW?

Windows: VST3 / CLAP — Windows 10/11; x86_64 · macOS: VST3 / AU / CLAP — macOS 11+; Apple Silicon & Intel (universal) · Linux: VST3 / CLAP / LV2 — Linux · glibc 2.35+; x86_64

What does Smart Ops actually do?

It matches a reference curve, hunts and tames resonances, de-esses, brackets with high and low cuts, and unmasks one track against another. You pick the job, let it listen while you play, and see the suggestion dashed on the curve before it applies. It writes real bands, so every move stays fully editable — and Revert takes back only what it changed.

Does it add latency?

None in zero-latency mode or in the analog-matched Natural mode. True linear-phase mode reports its delay compensation to the host, so everything in your session stays in sync.

What's the catch?

There isn't one on AURORA. It exists so you can judge whether 13x builds serious software before anyone asks you for money — the paid products come later, and this one stays free either way.

Is AURORA a good free alternative to FabFilter Pro-Q?

It covers much of the same ground — a live spectrum, up to 24 dynamic bands, mid/side and linear phase — plus the Smart Ops assistant, for free. Pro-Q is the more mature product today; AURORA runs on Windows, macOS and Linux, which is one platform more.

Which genres is it for?

All of them. AURORA is a mixing and mastering EQ: vocals, drums, guitars, orchestral stems, a hip-hop 2-bus or a techno master all get the same 24 bands, dynamics and Smart Ops.

Do I need an account to download it?

No. The download button is a direct link. There is an optional email path if you'd rather have the link sent to a studio machine, and an optional release-news sign-up — both are opt-in, neither is required.

Will it keep working if 13x disappears?

Yes. There is no license server, no activation and no phone-home. AURORA runs offline and will keep opening your sessions whatever happens to us.

How do I know the download is safe?

The macOS build is signed with an Apple Developer ID and notarized by Apple, and every build passes pluginval at strictness 10 before it is published. Each build's SHA-256 is listed in the download panel under Checksums — hash the file you received and compare. On Windows, Chrome and Edge may show a new-publisher reputation warning; AURORA is not yet code-signed there, and the checksum is how you verify it regardless.

Stop searching.
Start mixing.

Download AURORA and decide in five minutes whether it belongs in your chain. Nothing to cancel if it doesn't.

  • VST3 · CLAP · AU · LV2
  • Windows · macOS · Linux
  • No account
  • No license key

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