LOFT by 13x Audio / Coming November 2026

In time.
In key.

A free vintage house reverb plugin, coming in November. Its tail moves with your groove, rings in your key and makes room for every kick. Join the list and get one email when it’s out.

Free · VST3 / AU · macOS / Windows · November 2026

LOFT pictured as a brushed-silver desktop studio unit: big DECAY and MIX dials either side of a blue dot-matrix display showing 130 BPM, Offbeat Pump and C major, with the ENGINE, KEY, GROOVE and OUTPUT sections below.
Pictured as the studio unit it could have been. LOFT itself runs in your DAW.
Engine
’86 · ’89 · ’92 converters
Key
60 tuned resonators
Groove
5 patterns, host-synced
Duck
Detect or sidechain

What it is

Most reverbs sit still. LOFT plays along.

Every bar, GROOVE shapes the tail to one of five house patterns, locked to your host’s downbeat. KEY sends it through sixty tuned resonators so it rings in the song’s key, or in the chord you’re holding. DUCK clears it out of the way of each kick.

And ENGINE runs the whole room through the converters of a budget rack reverb from ’86, ’89 or ’92: lower sample rates, fewer bits, no dither. The grain you remember, on a dial. And FREEZE holds all of it, while the groove keeps it going.

Groove

The tail keeps time.

GROOVE shapes the reverb to one of five patterns, a bar long and locked to your host: step 1 is always the downbeat. Loop, jump or change tempo and it follows. Stop the transport and it runs on at the last tempo. DEPTH sets how far it goes.

LOFT’s display at 124 BPM showing the Offbeat Pump pattern: one smooth hump per beat across the bar.
Offbeat Pump. A swell on every offbeat: down on the beat, up in between.
The GROOVE section of the front panel: the pattern list, DEPTH at 72 %, DUCK at 64 % and the DETECT / SC switch.

Duck

Out of the kick’s way.

DUCK dips the tail under every kick and lets it back a quarter beat later, in time with the song. Set to DETECT, it finds the kicks in the track itself. Set to SC, it follows whatever you send to LOFT’s sidechain.

DETECT listens for hits in the low end, so a kick buried under a loud bassline is better sent to the sidechain.

Key

The tail stays in key.

Sixty resonators, one on every semitone from G#2 to G7, ring along with the tail. KEY lets through the notes of your root and scale and holds back the rest. LOCK decides how firmly, and the level stays where it was.

Root

Scale

C major: C, D, E, F, G, A and B.

LOCK78 %
The display in MIDI mode: A, C, E and G lit, A marked as the root, while an A minor seventh chord is held.
A minor 7 held. The notes you play light up; the lowest is the root.

Key · MIDI

Or just play it.

Switch KEY to MIDI and the notes you hold become the key, on any channel, with the sustain pedal holding them. Let go and the last chord stays until you play the next.

Engine

Three eras of digital.

Choose the character of three digital eras. GRIT adds grain; WOBBLE adds drift.

’89: the middle ground. 31.25 kHz and 14 bits.

Under the hood, the room runs inside a budget rack reverb’s converters: down to the era’s sample rate, band-limited and rounded to its bit depth on the way in and out, without dither, like the hardware. WOBBLE lets every delay line drift like an ageing clock.

ERA’89
RATE31.25 KHZ
BITS13.8
BAND9.6 KHZ
EQFLAT
DRIFT±0.50 MS
The display with FREEZE lit: the held tail still dips on every beat of Four Floor.
Frozen on Four Floor. The tail holds, and GROOVE still dips it on every beat.

Freeze · Tone · Mix lock

Hold the room.

Press FREEZE and the tail holds as it is: a minute later it has faded by barely 1.5 dB. Whatever plays meanwhile stays out of it, and GROOVE and DUCK keep shaping it, a pad that pumps in time for the breakdown. Automate it, and let go when the drop comes.

TONE shades the tail, from dark, where the highs die away in under a quarter of DECAY, to bright, where they last as long as the mids. DECAY itself stays put.

On a send? The padlock beside MIX keeps your level while you browse presets and compare A and B.

Front panel

Everything is on the front.

Every control, from left to right. Select a number on the unit or a control in the list to see where it sits and what it does.

LOFT’s front panel, straight on: the preset bar, FREEZE and bypass along the top, DECAY and MIX (with its padlock) either side of the display, PRE-DELAY, SIZE, WIDTH, TONE and BASS SAFE below it, and the ENGINE, KEY, GROOVE and OUTPUT sections along the bottom.

Top bar

The room

Shape

Modules

Rear panel

Around the back.

No cables, the same connections. LOFT’s inputs and outputs are its buses in your DAW: mono to mono, mono to stereo or stereo to stereo, plus a sidechain and MIDI.

LOFT’s rear panel: main inputs left and right, sidechain input, MIDI input, host sync light and main outputs left and right.MAIN INSIDECHAIN INMIDI INHOST SYNCMAIN OUTL / MONORDUCK · SCKEY · MIDITEMPO · BARLR13x AUDIO · LOFT
Main in

Mono or stereo, from the track or bus LOFT sits on.

Sidechain in

Send a kick here and set DUCK to SC. Mono or stereo.

MIDI in

Route notes to LOFT and switch KEY to MIDI. Any channel.

Host sync

Tempo and bar position from your DAW. GROOVE and the display follow it.

Main out

Stereo, or mono on a mono track.

Specifications

The datasheet.

Measured on the current development build, not estimated: the figures come from LOFT’s own test suite.

Reverb

Structure
32-line feedback delay network
Decay
0.2–20 s, measured within 10 %
Pre-delay
Off, 1/64 to 1/4 dotted, synced
Size
0–100 %
Width
0–200 %
Bass safe
20–500 Hz, 24 dB/oct, mono lows
Tone
−100 to +100 %: highs (8 kHz) in 0.23–1.0 × DECAY
Output
−24 to +12 dB

Modules

Engine
’86, ’89, ’92: 20, 31.25, 44.1 kHz
Grit
8–20 bits, band limit to 40 %
Wobble
Up to ±1.5 ms per line
Key
60 resonators, 104 Hz – 3.1 kHz
Scales
Major, Minor, Dorian, Minor Pentatonic, or MIDI
Groove
5 patterns, host-synced, free-running when stopped
Duck
Detect or sidechain, release ¼ beat
Freeze
Holds the tail (−1.5 dB a minute); new input stays out

System

Formats
VST3, AU
macOS
11 or later, Apple silicon and Intel
Windows
10 or later, 64-bit, VST3
Sample rates
44.1–192 kHz
CPU
About 1 % of one core*
Latency
0 samples, as reported to the host
Interface
75–150 %; A/B; undo; MIX lock

* Apple M4 Pro, 48 kHz, 128-sample blocks, default settings with every module on; 1.3 % with everything at its heaviest. Validated with pluginval at its strictest level and Apple’s auval.

LOFT13x Audio
Type
Vintage house reverb
Formats
VST3 · AU
Rates
44.1–192 kHz
Channels
1→1 · 1→2 · 2→2 + SC
Load
≈1 % CPU*
Latency
0 samples

No user-serviceable parts inside.

Questions

Is LOFT free?

Yes. LOFT will be free to download, like AURORA and COLONY.

When does it come out?

In November 2026. Everyone on the list gets one email on the day.

Which formats and systems?

VST3 and AU, for macOS 11 or later (Apple silicon and Intel) and Windows 10 or later (64-bit). AU is macOS only.

What do I get when I sign up?

One email when LOFT is out. Tick the box and you'll also get occasional 13x news. Every email has a link to unsubscribe.

Coming November 2026

Be the first to get LOFT.

LOFT isn’t out yet. Join the list and you’ll get one email when it is: free, VST3 and AU for macOS 11 or later and Windows 10 or later.

Notify me

Free · November 2026 · one email when it’s out

LOFT is software. The unit pictured exists only on your screen.

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